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Conference
Table, Committee Room Two, Parliament House, Hobart
The brief
was for a uniquely Tasmanian table to seat 14 people but flexible
enough to seat more. The result was a five metre table with sweeping
aluminium curves cutting through a Huon Pine and Myrtle veneer
top.
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2=1 Tallboy,
Private client
The brief
was for a flexible piece of furniture that would work in different
configurations depending on the room size. The result was a two
piece tallboy of Huon Pine and sassafras. The top section has
an open shelf ,a door and three drawers. The bottom section has
three drawers. It can be used as a tall elegant one piece or two
versatile drawer units.
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Entrance screen,
Meadowbank Estate, Richmond.
The brief
was for an entrance piece to greet the customer and introduce
them to a working vineyard without obscuring the view of the architectural
space. It provides a focal point when you enter but allows you
to see beyond through the spikes. The shelf is for personal effects
to be placed upon entrance. The result was a three-piece screen.
One section holds the company logo, in a three-dimensional form,
on curved , tapered metal tube. The other two sections act as
a translucent screen and/or noticeboard. All pieces are on castors
so they can be easily moved around.
The screen
shown at right is similar to the one at Meadowbank.
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Wall sconce,
Making an Entrance exhibition, Salamanca Place, August
Whilst honouring
the functions of a shelf, a cabinet, a drawer and a vase, the
wall-hung shrines are organic in form. They combine precious figured
veneers, ceramics and elaborate painted finishes, imbuing the
pieces with a sensual spiritual quality. In a sense, they act
as photo albums for three-dimensional objects.
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